Artists

1980. Salliqueló, Buenos Aires. Argentina.

Daniela Rodi works with writing, sound, and voice from their plastic possibilities. Communication is part of the material of her work. Through instant messaging, social networks, books, and conversations, she constructs new poetic circuits. Using various media - such as the book-object, sound installation, photography, textile objects, and performance - the artist explores the word as a container of emotional landscapes.

She studied Architecture, Museology, and Visual Arts. She has participated in conferences and meetings, fostering dialogue between different cultural actors from the country and Latin America. She was a co-founder of the art gallery Vermú in Santa Rosa (La Pampa 2015-2016) and the general coordinator of the Casa Museo Olga Orozco in Toay (La Pampa 2015-2020). She is part of the collective Fuego en la Torre, which brings together artists from various cities in Argentine Patagonia, and is a member of the editorial team of La Ballesta Magnífica.

She has worked as a manager in dozens of projects in both institutional and self-managed settings. She has received grants from the National Arts Fund, the National Theater Institute, the Williams Foundation, and the TyPA Foundation. She won the 2018 Argentine Public Art Award at the Mercado de Arte in Córdoba and the 2011 Prize and Acquisition for Best Work by a Pampean Artist at the National Drawing Salon of the Provincial Museum of Arts of La Pampa.

Since 2006, she has exhibited in exhibitions, fairs, and awards. Three solo exhibitions stand out: in 2023 "Encuentro y manifestación" curated by Hernán Camoletto at CRUDO; in 2017 "Un cuento para ser leído de pie" (in dialogue with a text by Rosario Bléfari) as part of the "Presente Continuo" cycle curated by Hernán Camoletto at the Museum of Memory in Rosario, Santa Fe; and in 2013 "Montaje para una escucha flotante" curated by Laura Valdivieso at the Biblioteca Obrera de Santa Rosa, La Pampa.

Her participations in group exhibitions include "Remolino de tiempos" at the Centro Cultural Conti, "Adentro no hay más que una morada" curated by Alejandra Aguado at the Museo de Arte Moderno de Buenos Aires in 2021, "Jetlag" at Crudo Arte Contemporáneo curated by Yuyo Gardiol with a text by Hernán Camoletto in 2020, "Fuego en la Torre" a site-specific curated by Eva Grinstein in San Martín de los Andes, Neuquén. "Interfaces. Una antología posible" curated by Florencia Battiti and Fernando Farina at the Centro Cultural Kirchner in Buenos Aires in 2015, and also in 2015 "Un espacio para la obra que no tuvo lugar" curated by Lara Marmor at the Sede Alsina of FNA in Buenos Aires. In 2014 "Pista de hielo" at Mimicromuseo in Buenos Aires curated by Jimena Brescia. In 2013 "RED" curated by Gabriel Valansi at the Museo Diario La Capital in Rosario, Santa Fe. "Estrellas de madera" at the Provincial Museum of Arts of Santa Rosa La Pampa, curated by Claudia del Río. "Proyecto Circular II" at the Palais de Glace, Buenos Aires in 2011, and the Festival 10 Detroit International Film/Video, MONA Detroit, USA, in 2007.

She currently lives and works in the city of Buenos Aires.

Press and digital publications:

• Adentro no hay más que una morada en el Museo Moderno de Buenos Aires.
• Encuentro y manifestación de Daniela Rodi en El Mirador.
• Remolino de tiempos en el Centro Cultural de la Memoria Haroldo Conti